Música Iucunda - Séculos XII ao XVII

PROCURAS O ELIXIR DO FREI ROMANO? CLIQUE NA FIGURA DO FRADE ----------------------------------------------------------->














MVSICA IVCVNDA
Gregorio Paniágua









Walther von der VOGELWEIDE
Palestinalied [Mss M. Zlomek Státního, s.XIV]
Johan Hermann SCHEIN
Allemande tripla [Banchetto Musicale, 1617]
Conrad PAUMANN
Mit Ganzem Willen [Lochamer Liederbuch, c1450]
Hans NEUSIEDLER
Tantz Wascha Mesa [Ein Newgeordent künstlich Lautenbuch, 1536]
Judentanz [Ein neu künstlich Lautenbuch, 1544]
Gautier de COINCI
Ma vièle [Mss S Paris Bibl.Nat. fr. 24541]
Guillaume de MACHAUT
Lay 1 [Mss A Paris Bibl.Nat. fr. 1584, s.XIV]
Gilles BINCHOIS
Dueil Angoisseux [Codex Escorial Mss V.III.24]
Johannes LEGRANT
Entre vous [Mss s.XIV]
Anónimo
Caldy Valdy (an., czech Mss)
The Irishe Ho-Hane [Fitzwilliam Virginal Book, s.XVI-XVII]
William CORNYSHE
Gentle Robin [British Museum, 20 songes, 1530]
Anónimo
Mvscadin [Fitzwilliam Virginal Book, s.XVI-XVII]
The Sick Tune [Cambridge, Univ.Lib. Dd.5.78.3]
My Lady Carey's Dompe [British Museum - Roy.App.58]
Woodycock [England, s.XVI]
Propiñán de Melyor [Sevilla, Bibl.Colombina, sign. 7-I-2B, s.XV]
Allá se me ponga el sol [Cancionero Musica de Palacio, sign. 2-I-5, s.XV-XVI]
Meu Naranjedo [Cancionero Musica de Palacio, sign. 2-I-5, s.XV-XVI]
Y'endome y viniendo [Cancionero de Uppsala], sign. Vol.mus.Tr.6.II]
Enríquez de VALDERRÁBANO
Para discanto [Silva de Sirenas, 1547]
Antonio de CABEZÓN (Nº 10, Nikolas GOMBERT)
Diez Fabordones Llanos
Josquin DESPREZ
Canon. Et sic de singulis (& cancrizans) [Petrucci, 1551, canti B]
Pavane. Mille Regretz [Susato, Danserye, 1551]
Anónimo
Schiarazula Marazula [Phalèse, Chorearum Mollitorum ..., 1583]
Almande Bruynsmedelijn [Phalèse, Chorearum Mollitorum ..., 1583]
Joanambrosio DALZA
Tastar de corde [Petrucci, Intabulatura di Lauto, 1508]
Giovanni GASTOLDI
Balleto. L'innamorato [Phalèse, Balleti a cinque voci, 1596]
Antonio GARDANE
La forze d'Hercole [Intabolatura nova di varie sorte di balli, 1551]
Francesco BENDUSI
Cortesana padoana [Opera nova de balli, 1553]
Carlo GESUALDO
Gagliarda del Principe di Venosa [R.Cons. di San Pietro a Majella,c1580]
Giovanni MACQUE
Consonanze stravaganti [Monvmenta Mvsica Belgicae Iv. 37]

Alonso Lobo - The Tallis Scholars

The Tallis Scholars
ALONSO LOBO














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PICCININI / HOPKINSON

01. Toccata XX 2:20
02. Toccata XII cromatica 3:38
03. Canzone III in'aria di Corrente 2:48
04. Gagliarda IX 2:25
05. Canzone II 3:27
06. Corrente III con la sua replica 1:51
07. Toccata XVII 3:24
08. Toccata XVIII 1:46
09. Corrente X 1:48
10. Aria IV 2:21
11. Corrente XII sopra un'aria francese detta l'Alemanna 2:40
12. Toccata II 3:55
13. Canzona I 7:25
14. Gagliarda V 1:51
15. Aria I affettuosa 3:09
16. Gagliarda X capricciosa 1:43
17. Ricercar primo musicale 3:38
18. Aria II di Sarauanda in parte variate 4:04
19. Toccata XXIII 2:38
20. Corrente VIII 2:31
21. Corrente II 2:58
22. Toccata VII 1:39

MUSICA ANTIQUA/MEDIEVAL/RENASCENTISTA

Atenção amigo Leitor, se você chegou aqui através da pesquisa Google ou outra qualquer, uma parte da página pode estar invisível. Clique aqui e confira: ------------- MÚSICA ANTIGA MEDIEVAL E RENASCENTISTA

1. Flûtes de corne - Horn-flutes

Anon.:

1. Hymne à St Wenceslas: Sváty Václave
   Neidhart von Reuenthal (attrib.):
   Mayenzeit

2. Flûtes de berger et flûtes à bec médiévales - Sheppard's flute and medieval recorder

Alphonse le Sage: Cantigas de Santa Maria

2. Cantiga 77: Da que Deus mamou o leite do seu peito (instr.)
   Colin Muset:
   En mai
   Guillaume d'Amiens:
   Rondeau
   Alphonse le Sage: Cantigas de Santa Maria
   Cantiga 176: Daue Deus mamou o leite do seu peito (instr.)
   Anon.:
   Saltarello

3. Double-flûtes - Double-recorder

Anon.:

3. Noci milá
   Anon.: Codex Kajoni
   Otödik Tancz

4. Galoubet - One-hand flute (pipe)

Anon.:

4. Rotolum et Tropus

5. Cors de chamois - gemshorn

Tielman Susato

5. Allemagne
   Gaillarde
   De post

6. Flûtes à bec Renaissance - Renaissance recorders

Jacob Obrecht

6. Hélas mon bien
   Anon.:
   Die Megdlein sinnd von Flandern
   Bruder Cunrads Tantzmaass
   Tielman Susato:
   La mourisque

7. Flûtes à bec Renaissance - Renaissance recorders

Anon., Pratum musicum:

7. Branle double
   D. Castello
   Sonata prima

8. Flûtes à bec Baroque - Baroque recorders

R. Valentino

8. Sonate en sol (Grave, Allegro, Adagio, Allegro)

9. Flûtes à bec Baroque - Baroque recorders

J. Bodin de Boismortier

9. 1er Divertissement de campagne (Prélude, Marche, menuet, Sarabande, tambourin, Rondeau, Rigaudon I et II)

Intérpretes: René Clemencic (recorders), Peter Widensky (regal, baroque positive), Andras Kécskès (chitarra saracenica, rubebe, luth, guimbarde), Esmail Vasseghi (tympanon, drum), Wolfgang Reithhofer (tambourine, drum, darabukka, cymbals, bûche)

Grupo Cinco Siglos

Anon., Chansonnier du Roi MS:

1. La Uitime Estampie Real
2. La Quarte Estampie Royal
3. Dansse Real
4. Chose Tassin II
5. La Prime Estampie Royal
6. Chose Tassin II
7. Dansse
8. Dansse
9. Chose Tassin III
10. La Septime Estampie Real
11. Chose Loyset
12. La Seconde Estampie Real
13. La Seste Estampie Real
14. La Tierche Estampie Roial
15. La Quinte Estampie Real

Intérpretes: Gabriel Arellano (viola, rabel), Antonio Torralba (flutas dolce), Miguel Hidalgo (lutes), Otmán M'rini (percussions)

Alfonso el Sabio (attr.): Cantigas de Santa María


1. CSM 292: "Muito demostra a Virgen, a Sennor esperital" (instr.)
2. CSM 322: "A Virgen, que de Deus Madre"
3. CSM 173: "Tantas en Santa María son mercees e bondades"
4. CSM 259: "Santa María punna d'aviir" (instr.)
5. CSM 41: "A Virgen, Madre de Nostro Sennor"
6. CSM 338: "Muitos que pelos peccados que fazen perden o lume"
7. CSM 375: "En todo no faz merçee"
8. CSM 268: "Gran confiença na Madre de Deus sempr' aver devemos" (instr.)
9. CSM 101: "Ben pod' a Sennor sen"
10. CSM 189: "Ben pode Santa María"
11. CSM 393: "Macar é door a rravìa maravillosa e forte"

Intérpretes:Grupo de Música Antigua :
Coro de mujeres: Paula Vega, Clara Serrano, Montserrat Velasco , Coro de hombres: Emilio Rubio, Enrique de la Fuente, Laurentino Saenz de Buruaga O.S.B, Eduardo Paniagua (flauta a bisel, fahl (flauta de metal árabe), chirimía, santur, psaltery, darbuga, sonajas, tabila, tambor de arena, campanil, cymbals, castañuelas y palmas), Luis Delgado (zanfona, dutar (laúd de dos cuerdas), gimbri, tromba marina, darbuga, pandero, tambor charro, ajorcas y palmas), Luis Paniagua (viola (dilruba)), Begoña Olavidade ( psalterio), Wafir Sheik (flauta árabe), Vicente Molino (nay (flauta oblicua de caña), axabeba (flauta travesera de caña)]
Eduardo Paniagua, dir.

Arab-Andalusian Music of the 12th to 15th centuries

Cálamus

Anon., Arab-Andalusian, 12th-15th c., from Nuba Ram Al-Maya (Libyan trad.)

1. Murakkaz: "Ah ya Muddasin"
Anon., Arab-Andalusian, 12th-15th c., from Nuba Iraq (Libyan trad.)

2. Mosaddar "Ya muslimin" (Oh Musulmán - Oh Muslim)
Anon., Arab-Andalusian, 12th-15th c.: Nûbâ Gharîbat Al-Husayn (Moroccan trad.)

3. a) Insad "God, Watch Over the Singer"
   b1) Basît: Instrumental work
   b2) Basît: Moaxaja "Oh to Free Myself"
   b3) Basît: Instrumental work
   b4) Basît: Moaxaja "Be Merry and Take Pleasure"
4. c1) Qaim wa nusf: Taqsim (instrumental introduction)
   c2) Qaim wa nusf: Moaxaja "I am Patient With the One I Love"
   c3) Qaim wa nusf: Zejel "You Grew Before My Eyes"
5. d1) Btâyhî: Moaxaja "On a Marvellous Night"
   d2) Btâyhî: Zejel "Oh Gazelle Child"
   d3) Btâyhî: Instrumental work
   d4) Btâyhî: Zejel "This Love"
6. e1) Qudâm: Sugl "They Reproached Me for My Love for You"
   e2) Qudâm: Moaxaja "Whilst I Concealed Love"
Anon., Arab-Andalusian, 12th-15th c., from Nuba Ram Al-Maya (Algerian trad.)

7. Mosaddar "Jismi fani"
Anon., Arab-Andalusian, 12th-15th c., from Nuba Asbasayn (Tunisian trad.)

8. Dkhul Barwal "Ala ya mudir Al-Rah"
Anon., Arab-Andalusian, 12th-15th c., from Nuba Isbihan (Moroccan trad.)

9. Qaym Wa nusf: Moaxaja "How Sweet is the Nectar in Your Eyes"
Anon., Arab-Andalusian, 12th-15th c., from Nuba Hidyaz Oriental (Moroccan trad.)

10. Quddâm (instr.)

Intérpretes: Eduardo Paniagua (chabbaba, flautas, salterio, tât, cymbales, voz). Luis Delgado (oud, vitola, guimbri, doira, tât, castañuelas, voz). Begoña Olavide (voz, quanun, salterio, caraqebs, tât, darbûga). Rosa Olavide (voz, rabel, viola, portative organ, cymbals). Carlos Paniagua (darbûga, tábila, pandero, campanillas, voz)

MIRROR OF LIGHT-CANTIGAS DE SANTA MARIA III

Mirror of Light - Cantigas de Santa Maria III

The Renaissance Players - Winsome Evans, dir.

Alfonso le Sabio (attr.): Cantigas de Santa Maria

1. Cantiga 420: Béeyta es Maria
2. Cantiga 160: Quen bõa dona querra
3. Cantiga 7: Santa Maria amar
4. Cantiga 114: A que serven todo-los celestiaes
5. Cantiga 207: Se ome fezer de grado
6. Cantiga 176: Soltar pode muit' agynna
7. Cantiga 206: Quen souber Santa Maria
8. Cantiga 166: Como poden per sas culpas
9. Cantiga 111: En todo tempo faz ben
10. Cantiga 177: Non vos e gran maravilla

Intérpretes: The Renaissance Players [Winsome Evans (bombarde, alto and treble shawms, tenor recorder, sinfonye, organetto, psaltery, harp, bells, tambourine), Ingrid Walker (whistle), Katie Ward (vielle), Benedict Hames (rebec, gemshorn, bowed diwan saz), Andrew Tredinnick (ud, gittern, chitarra moresca), Llew Kiek (mandora, baglama), Barbara Stackpool (castanets, small bells), Andrew Lambkin (darabukka, daireh, tapan, bells), Mina Kanaridis (soprano, reader), Jenny Duck-Chong (mezzo-soprano), Mara Kiek (alto, tapan), Tobias Cole (counter-tenor)] - Winsome Evans, dir.

Secular Songs & Dances from the Middles Ages - Music for the Crusades, part I & II

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Password: Perseguidor

I.Apelatio:
01 Anon., Carmina Burana
CB 47: Crucifigat omnes

02 Thibaut de Champagne
Seignor, sachiez qui or ne s'en ira

03 Anon.
La Quinte Estampie Real

04 Anon.
Parti de mal et a bien atourné

05 Anon.
Chevalier mult estes guariz

06 Anon.
De transfretantibus

07 Thibaut de Champagne
Au tans plain de felonie

II. Dure Departie:

08 Anon.
La Seconde Estampie Royal

09 Conon de Béthune
Bien me defisse targier

10 Thibaut de Champagne
Dame, ensinc est qu'il m'en covient aler

11 Le Chastelain de Couci
A vous, Amors, plus qu'a nule autre gent

12 Chardon de Croisilles de Reims
Li departirs de la douce contree

13 Le Chastelain de Couci
Li nouveax temps et maiz et violete

14 Gilles le Vinier ?; Le Chastelain d'Arras ?
Aler m'estuet la ou je trerai paine

 Password: Perseguidor

III. Passagium Laboriosum:
01 Roy Richart « Richard Heartlions »
Ja nuns hons pris I
02 Roy Richart « Richard Heartlions »
Ja nuns hons pris II
03 Anon., Roman de Fauvel
Desolata mater / Que nutritos / Filios enutrivi
04 Huon d'Oisi
Maugré tous sainz et maugré dieu ausi
05 Anon., gregorian
Chant: Congregati sunt
06 Anon.
La Quarte Estampie Royal
07 Anon., lutheran
Choral; In gotes namen fara wir
08 Guiot de Dijon
Chanterai por mon coraige
09 Riccardo di San Germano
Diro satis percussus vulnere Anon.
Tristan's Lament
10 Anon.
Nus ne porroit de mauvese reson

IV. Hierosolyma Caelestis
11 Anon.
Hymn: Ierusalem mirabilis
12 Walter von der Vogelweide
Nû alrêst lebe ich mir werde
13 Anon., Carmina Burana
CB: 52: Nomen a solemnibus




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Cantigas de viola de rueda

Jota Martínez / Musica Antigua - Eduardo Paniagua

1. CSM 68: Rivales en amores (instrumental)
2. CSM 77: Santa María de Lugo "Da que Deus mamou"
3. CSM 61: Boca Torcida (instrumental)
4. CSM 327: Las Piernas "Porque ben Santa Maria"
5. CSM 74: El Pintor (instrumental)
6. CSM 92: Clérico ciego "Santa Maria poder á"
7. CSM 81: Fuego en el rostro (instrumental)
8. CSM 407: Ciego por el demonio "Como o demo confonder"
9. CSM 91: Fuego de San Marcial (instrumental)
10. CSM 259: Los juglares "Santa Maria punna"
11. CSM 71: El Ave Maria (instrumental)
12. CSM 76: El rapto de la imagen "Quenas sas figuras"
13. CSM 62: Bona dona (instrumental)
14. CSM 72: El tahúr "Quien diz mal"

Intérpretes: Henar Alvarez (soprano), Cesar Carazo (tenor), Luis Antonio Muñoz (bass), Jota Martínez (hurdy-gurdy), David Mayoral (percussion), Enrique Almendros (gaita, gaita charra, tamboril), Jaime Muñoz (kaval, ajabeba), Luis Delgado (cántara, tambor pandero), Felipe Sánchez (citole), Vicente Molino (ney, ajabeba), Wafir Sheik (lute), Eduardo Paniagua (psaltery, recorders, fhal, shawm, siringa, flautas búlgaras, agual, tar, sonajas, pandereta, castañuelas, ibicencas, carraca, sonajero, platillos, bells, percussion)

OSTINATO

Hespèrion XXI - Jordi Savall, dir.

Antonio Valente:

1. Gallarda Napolitana
Diego Ortiz

2. Passamezzo antico - Zarabanda (Recercada V)
Andrea Falconiero

3. Andrea Falconiero: Passacalle
Diego Ortiz

4. Passamezzo moderno (Recercada II)
Andrea Falconiero

5. Ciaccona
Diego Ortiz

6. Ruggiero (Quinta pars IX)
7. Romanesca (Recercada VII)
Salomone Rossi:

8. Sopra l'Aria di Ruggiero
Biagio Marini

9. Passacalio
Improvisation

10. Canarios
Tarquinio Merula

11. Ruggiero
Francisco Correa de Arauxo

12. Tres Glosas sobre Todo el mundo en general
Tarquinio Merula

13. Ciaccona
Henry Purcell

14. Sonata a 2
15. 3 Parts upon a Ground
Johann Pachelbel

16. Kanon und Gigue
Anon.

17. Greensleeves to a Ground

Inérpretes: Hespèrion XXI: Manfredo Kraemer (violin), Pablo Valetti (violin), David Plantier (violin), Jordi Savall (soprano viola da gamba, bass viola da gamba), Bruno Cocset ('cello), Sergi Casademunt (violone), Michael Behringer (harpsichord, organ), Luca Guglielmi (harpsichord, organ), Arianna Savall (harp), Xavier Díaz (vihuela, guitar, theorbo), Pedro Estevan (drum, tambourine, dumbek, claves), Eliseo Parra (tambourine)
Jordi Savall, dir.

SUSATO: DANSEREYER, 1551

New London Consort - Philip Pickett

1. Fanfare "La morisque" (4 trumpets, timpani)
2. Pass e Medio / Reprise "Le pingne" (2 violins, 3 viols, harpsichord, 4 lutes)
3. Bergerette "Sans Roch&quo;t / Reprise (2 cornetts, 4 sackbuts, rauschpfeife, 3 shawms, curtal, organ, regal, tabors, side drum, tambourine)
4. Den I. Ronde "Pour quoy" (2 violins, 3 viols, harpsichord, organ, tabors)
5. Den VII. Ronde "Il estoit une fillette" (7 recorders, curtal, organ, 5 guitars, side drum)
6. Den III. Ronde (4 viols, organ, tabors)
7. Den IV. Ronde (cornett, crumhorn, sackbut, curtal, organ, side drum)
8. Den V. Ronde "Wo bistu" (4 racketts, regal)
9. Den VI. Ronde / Saltarelle (violin, 4 viols, 7 recorders, curtal, harpsichord, organ, tabors)
10. Den XI. Ronde / Aliud (2 cornetts, 4 sackbuts, 2 violins, 4 viols, 7 recorders, curtal, regal, organ, harpsichord, 5 guitars, tabors, tambourine)
11. Bergerette "Dont vient cela" / Reprise (4 lutes)
12. Danse de Hercules oft maticine / De Matrigale (4 sorduns, regal, tabor)
13. De post (cornett, alto cornett, tenor cornett, serpent, organ, jingle bells)
14. Les quatre Branles (7 recorders, curtal, organ, 5 guitars, tambourine)
15. Fagot (4 curtals, regal)
16. Den Hoboeckendans (hurdy-gurdy, drone fiddle, cittern, curtal, contrabass viol, rommelpot)
17. Basse danse "Mon Desir" / Reprise "Le cueur est bon" (violin, bass viol, 3 lutes, organ)
18. Den I. Allemainge / Recoupe (cornett, 3 sackbuts, 2 violins, 4 viols, 7 recorders, curtal, organ, harpsichord, 4 lutes, bas drum, tabors)
19. Den II. Allemainge (4 lutes)
20. Den III. Allemainge (2 violins, 2 viols, harpsichord)
21. Den V. Allemainge (4 flutes, 5 guitars)
22. Den VI. Allemainge (4 crumhorns, regal, nakers)
23. Den VII. Allemainge (regal, nakers)
24. Den VIII. Allemainge / Recoupe / Recoupe Aliud (cornett, 3 sackbuts, 2 violins, 4 viols, 7 recorders, curtal, organ, harpsichord, 5 guitars, side drums, tabors)
25. Bergerette "La Brosse" (4 lutes)
26. Pavane "La Bataille" (2 cornetts, 4 sackbuts, serpent, rauschpfeife, 3 shawms, curtal, organ, regal, timpani, side drums)
27. Pavane "Mille regretz" (violin, 4 viols, 3 records, curtal, organ, 4 lutes, tabor)
28. Den II. Gaillarde (rauschpfeife, 3 shawms, curtal, regal, organ, tabor)
29. Den XI. Gaillarde (4 sackbuts, organ, tabor, bass drum)
30. Den IX. Gaillarde (4 flutes, 5 guitars, tabor)
31. Den IV. Gaillarde (violin, 4 viols, harpsichord, tabor)
32. Den VII. Gaillarde (7 recorders, curtal, organ, 5 guitars, tabor)
33. Den X. Gaillarde "Mille ducas" (4 crumhorns, contrabass rackett, regal, organ, tabors)
34. Den III. Gaillarde (2 cornetts, 4 sackbuts, organ, bass drum, tambourine)
35. Den XV. Gaillarde "Le tout" (2 cornetts, 3 sackbuts, 2 violins, 3 viols, 7 recorders, curtal, organ, regal, harpsichord, 5 guitars, tabor, side drum, bass drum, tambourine)
36. Danse du roy / Reprise (2 violins, 3 viols, harpsichord, organ, tabor, tambourine)
37. Entre du fol (gemshorn, rebec, cittern, contrabass viol, rommelpot, shaker)
38. La Morisque (2 cornetts, 4 sackbuts, 2 violins, 4 viols, rauschpfeife, 3 shawms, curtal, 3 recorders, organ, regal, harpsichord, 5 guitars, tabor, jingle bells, tambourine, cymbals)

LA RENAISSANCE ANGLAISE / CÁLAMUS

1. To shorten winter's sadness
2. Thule, the period of cosmography
3. Fantasy for viols
4. O care, thou wilt despatch me
5. The cries of London
6. Lachrimae
7. All laud and praise
Thomas Tomkins:

8. To the shady woods
9. Fantasias no. 9
10. Oyez! has anyone found a lad?
11. Fantasias no. 10
12. I heard a voice from heaven
13. Pavan in A minor
Orlando Gibbons:

14. Madrigal: Ah, dear heart (a capella)
15. In Nomine a 5 (viols)
16. Madrigal: What is our life (vv. with instr.)
17. Pavan Deleroye (5 viols)
18. Verse anthem: Behold thou hast made my days
19. Consort song / anthem: The secret sins
20. Verse anthem: Great King of Gods

THE WHYTE ROSE

MÚSICA ANTIQUA

MÚSICA ANTIQUA

THE SEPHARDIC EXPERIENCE